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White-framed magenta and green artwork beside a person leaning forward from a chair
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Still Becoming

From the Impermanence series

I was first drawn to the delicacy of the flower in Atsuhiro Okada’s photograph. I’m naturally drawn to the art that nature offers us, and this image became a starting point for exploring its fragile forms through my own language of geometry, colour and relief.

Impermanence is close to my heart and my Buddhist roots: an appreciation of beauty while it is here, and an understanding that it is changing. This piece is my way of exploring that through form and shifting light.

For me, the delicacy of a flower holds both of these things at once. I can appreciate its beauty in the present moment while knowing that its colour and form will change. That awareness makes the act of looking more meaningful, a way of paying attention to what is here now.

In Still Becoming, that sense of change continues across the painted surface. As the light changes, attention shifts between the flat flower and the surrounding relief, revealing an image that is continually becoming. The work invites you to return to it at different times of day, noticing how the same form can offer a different experience.

“Within the vibrant pink and layered greens, I sense a quiet interplay of yin and yang, of the light and shadow reflecting the impermanence of flowers and leaves. There is something deeply moving about how the softness and fragility of nature have been translated into the sharp, structured forms”

Atsuhiro Okada, photographer and collaborator
DIMENSIONS75 × 75 cm (including frame)
DEPTHApprox. 7 cm maximum relief depth from canvas
FRAMEWhite-painted oak frame
MEDIUMMixed-media sculptural relief with acrylic paint
FINISHTwo-pack matte finish
FIXINGPicture wire
THROUGH THE DAYThe piece is finished by the light in the room.
07:12 · MORNINGSCROLL, OR PICK AN HOUR BELOW
Still Becoming - facet detail
MORNINGMIDDAYNIGHT
MORNING · LOW RAKING LIGHT

Long shadows, maximum separation between facets. The geometry at its sharpest.

MIDDAY · OVERHEAD

Shadows collapse. Colour takes over and the surface reads closer to painting.

NIGHT · WARM DOWNLIGHT

Ridges catch, valleys drop away. The piece reads heavier, closer to sculpture.

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A$2,300 AUD

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